I was sitting on the sofa, suffering through shingles. I finished the NY Times crossword puzzle, read some of Patricia O'Connor's The Origin of the Specious, watched an episode of Judge Pirro. Looking for further distraction, I fired up the first season of The West Wing. As the pilot started, with that impossibly beautiful song playing over the opening credits, it struck me: where have all the theme songs gone?
Blog Posts on Arts and Culture
Congratulations to Bob and Kristi who both guessed today's mystery piece, the Overture to The Magic Flute by Wolfgang Mozart. We heard the English Chamber Orchestra conducted by Leopold Hager. (Novalis 150041.) Monday's mystery involves The Bad News Bears.
Today’s mystery piece: Rimsky-Korsakov’s “Procession of the Nobles” from Mlada. It’s a short work by a Russian composer with sailing experience. His family pushed him to serve in the Navy, so he enlisted.
Today, June 2nd, we heard Smetana’s Overture to The Bartered Bride. Smetana was a Czech composer who founded a school in Prague in 1848. This piece is the overture to a hugely successful comic opera. The composer saw the 100th performance of this opera, which was a milestone in the history of Czech opera. By 1952, it had been performed a thousand times at Prague’s National Theater! Tomorrow, our mystery piece is from an opera inspired by Wagner’s "Ring" cycle.
Today's early morning mystery piece was Maurice Ravel's La Valse. Georges Pretre conducted the Radio Symphony Orchestra of Stuttgart (Hanssler 93013.) Congratulations to Robert, who guessed via e-mail at btre...@wxxi.org. Tomorrow, we'll hear a work by a Czech composer which, by 1952, had been performed a thousand times at Prague’s National Theater. Hear a daily mystery piece at around 6:40 a.m. on Classical 91.5.
I think this video speaks for itself. No need for me to infringe on it's amazingness.
One of our chief joys is hearing from WXXI's classical music listeners. Enjoy a sample of a few e-mails from recent weeks.
I've been listening to your show on the way in to work lately and really enjoying the selection. Michael Pratorius was new to me, and a direct hit.
A question: you played a chaconne by Marin Marais last week (I believe by the Concert of Nations). I'd like to track the recording down, but he wrote a number of chaconnes. Can you shed any light?
Every day for 5 hours at WXXI, I play CDs. On an average weekday, I play 22 pieces of recorded music. A rough estimate suggests that 97% of the recordings I play are produced in a studio, with the remaining 3% are recorded live in concert.