Every year, retired WXXI classical announcer Mordecai Lipshutz closes out the XRIJF with The Bob Sneider Trio. He usually sings a number at the end of a long jam session, around 2:00 a.m. I missed him again this year. Thank goodness for reporter Anna Reguero and Youtube.
Blog Posts on Arts and Culture
It’s that time again. The Grassroots Festival starts Thursday in Trumansburg. I blogged about it last year, before and after, and can’t sum up my appreciation any better now. I was in Ithaca last week and as I drove back home past the festival site on Saturday it was exciting to see workers setting up the Infield Stage and the Dance Tent.
The email was delivered a few weeks back: Backstage Pass was a finalist in the Radio division for New York Festivals. We just didn't know what we won. We waited. The word came on Friday, and it was Bronze!
It's no secret that I am an automobile nerd. While I drive a humble 11-year-old Subaru with 172,000 miles on it, I always envision myself maneuvering an eight-cylinder, two-seated, rear-engined supercar with something called "sodium-cooled exhaust valves" and carbon-fiber cupholders. Unfortunately these types of cars are expensive, and I play trombone and work for public radio--both admirable pursuits, but neither going to cover the cost of even one of the two dual-overhead camshafts I so desire. Now, if you play the piano, then it's a different story! No, you'll still be a starving artist, but at least you can play one of these:
In my hours of slaving over a hot computer every day, I came across two different views of how the Chinese are taking a liking to some of our art forms. Apparently Western classical music is huge there, and so is...completely ripping off the styling of Western automobiles.
Click on the attachment to hear Vivian, a fourth grader in Western New York, explain what she's learned in her first year of trombone lessons with her teacher, Mr. Burlison.
"Things get bigger when stripped down small, louder when whispered, and truths are illuminated by the tallest tales that a man can conjure."
What do British people do when they get really angry about their elected officials spending hideous amounts of taxpayer money on things like life-size statues of Winston Churchill made out of Legos? They write an opera, of course.
On a recent Monday morning I walked into the studio of Rochester's classical music station cradling a stack of CDs in one arm and a sheaf of news reports in the other. The news was not good. The sky threatened rain. I slipped a CD into the player and started a Haydn symphony, a cheerful burst of minty freshness. I followed that with Vivaldi's chirpy Goldfinch Concerto, a flashy set of trills inspired by the song of the European goldfinch, (a mouse of a bird that's not even gold, by the way.)
The music was sunny. But as the minutes ticked by, my mood darkened. It DID start to rain. More depressing stories poured into the newsroom.
At one point I actually thought to myself, “What annoying person picked all of this chirrupy music for a dismal Monday morning?”