"Love cannot express the idea of music, while music may give an idea of love."
Blog Posts on Arts and Culture
If an artist scribbles away in her cold garret and no one is around to hear her songs, does she make a living?
So ends the busiest, most inspirational summer of my adult life! In the last three months, I’ve been privileged to walk through St. Mark’s Cathedral in Venice, to watch otters swimming in the St. Lawrence River, and to hear barihunk Nathan Gunn singing “Home on the Range” at the Glimmerglass Festival.
If you spend any time on YouTube, you'll occasionally find a video with the audio disabled due to copyright issues. There is debate about whether the music industry has a right to restrict access in this specific context, but wherever you come down on the issue, this one is a little odd. Check out the red box.
You may see less arts coverage in the Democrat and Chronicle. The daily paper’s classical music, jazz and dance reporter and critic, Anna Reguero, is leaving to pursue her doctorate in musicology. (You can hear our conversation about changes she’s seen in Rochester by clicking here.) She will not be replaced. In a city with a widespread affinity for music of all kinds, the decision by Rochester’s daily paper to not hire a new music writer is troubling but not surprising.
When I was in Siena, Italy last week with the WXXI Travel Club, I picked up a copy of an historical novel by Marina Fiorato. Called Daughter of Siena, it traces the fate of a young woman in the Tuscan hill town during the Palio, a chaotic annual horse race in which jockeys circle the town’s central piazza. Set in 1723, the main character watches her betrothed die during the