Far, far I fly, off on vacation. I'll miss sharing music with you in the mornings.
Luna Galassini will be your weekday host until November 26th.
It’s a daily joy to offer you the best recordings from the WXXI library from 6 to 10am, with arts news from Rochester’s rich cultural calendar, updates from NPR, the Mystery Piece at 6:40am, the Composers' Datebook at 7:20am, and the Writer's Almanac with Garrison Keillor at 8:20am. Here’s a look at what’s coming up in the next few weeks:
When Elizabeth Guaragna walks into a music agency and applies for a job, she’s stormed what she thinks is an enemy encampment. She accepts a position working closely for a man she’s been raised to despise, famed music impresario Alfred Rossiter, all the while barely understanding herself, her motives, or the reasons why she lies about her name and background.
You’ve probably heard the news. In a comprehensive front page story published in Sunday’s Democrat and Chronicle, Stuart Low reported the Rochester Philharmonic Orchestra may be facing an operating shortfall in excess of $700,000.
But it could be much worse.
Click here to hear a podcast with DM for how it all happened.
I couldn't resist posting just a few more John Cage links before this space gets back to being all-Copland all the time.
Music, what does it communicate?
Is what’s clear to me clear to you?
Is music just sounds?
Then what does it communicate?
Is a truck passing by music?
If I can see it, do I have to hear it too?
If I don’t hear it, does it still communicate?
If while I see it I can’t hear it, but hear something else, say an egg-beater, because I’m inside looking out, does the truck communicate or the egg-beater, which communicates?
Which is more musical, a truck passing by a factory or a truck passing by a music school?
-John Cage, Silence