WXXI Classical Blog
The Rochester Oratorio Society (ROS for short) sings A Sea Symphony with the RPO this Thursday and Saturday nights. I’m thrilled to be part of it! As a member of ROS since 1991, I’ve sung under Roger Wilhelm, Mark Elder, Robert Bernhardt, Peter Bay, Uriel Segal, David Effron, and Christopher Seaman.
Last year, the ROS hired a new conductor. I wrote a profile piece that never saw the light of day. Long story. The short of it is, this seems the right place to share with you my first impressions of the new guy.
On Tuesday, Eric Townell, the director of the Rochester Oratorio Society, broke his arm. This is a bad thing for a conductor. All of the singers (myself included) are sad for him.
If you love organ music, then you'll want to tune in throughout October and November for these Pipedreams highlights.
The national program From the Top is coming to Rochester, January 20, 2008. Want to know more?
As it gets darker and colder, you might have more time to settle down with books related to classical music. These are some gems I've enjoyed. I'd like to hear about your favs, too.
1. The Time of our Singing by Richard Powers.
A week from this Sunday, I’ll be off to New York City for the NEA’s 4th annual Arts Journalism Institute in Classical Music and Opera. It’s an 11-day workshop in classical music and opera at Columbia University.
I read about the conference at artsjournal.com, and it got me thinking, whatever happened to regional music critics? Terry Teachout’s recent “Wall Street Journal” article on the fall of the credentialed critic and the rise of the dilettante blogger summarizes fears that regional newspapers have given up on covering the arts.
and they weren't just in my head.
Voices is the name of Rochester’s newish professional chamber ensemble directed by William Weinert. He also directs choral activities at the Eastman School of Music, so I had high expectations Sunday afternoon when I walked into the Third Presbyterian Chapel on Meigs Street. It’s an acoustically live space bathed in colored light.
The group performed three pieces by French Baroque composer Marc-Antoine Charpentier. He lived in the days when respectable men wore wigs, stockings, and high-heeled shoes.