Farewell 2012! From my vantage point as morning host and arts journalist at WXXI, it’s been a dramatic year for classical musicians in Rochester, New York. First of all,
I admit it. December is not my favorite time of year. With so many cards to write, gifts to wrap, cookies to frost, and extra church services to plan and direct, I often feel overwhelmed by what feels like a month-long To Do List. That's a terrible thing to say, but I know I'm not alone. A survey conducted a couple of years ago by Harris Interactive showed 90 percent of respondents experience stress during the holiday season.
Thank you to Luna Galassini for filling in for me over my recent vacation. I spent time with friends in Philadelphia, Princeton, and Bristol Harbor, and then had a week to get ready for winter, putting the garden to bed and sorting through a big basket of mittens and hats which now sits by the front door. And rest! I slept in every day! Getting enough rest and being healthy is very important to me, and it was especially vital given the dramatic week that followed with the unexpected announcement that the Rochester Philharmonic Orchestra wished to end its four-year contract with Music Director Arild Remmereit two years early. WXXI-FM listeners have expressed shock, anger, sadness, and hope that classical music lovers will work through this situation together to support our city’s great orchestra. Our newsroom will keep you updated on the situation.
Handel's Messiah has long been a holiday tradition, and the Rochester Oratorio Society and the Rochester Philharmonic Orchestra will be performing it December 8th at Kodak Hall.
It’s a daily joy to offer you the best recordings from the WXXI library from 6 to 10am, with arts news from Rochester’s rich cultural calendar, updates from NPR, the Mystery Piece at 6:40am, the Composers' Datebook at 7:20am, and the Writer's Almanac with Garrison Keillor at 8:20am. Here’s a look at what’s coming up in the next few weeks:
When Elizabeth Guaragna walks into a music agency and applies for a job, she’s stormed what she thinks is an enemy encampment. She accepts a position working closely for a man she’s been raised to despise, famed music impresario Alfred Rossiter, all the while barely understanding herself, her motives, or the reasons why she lies about her name and background.