Did you see Andre Rieu on TV Tuesday night?
The Rochester Philharmonic Orchestra released its 2008-09 season yesterday. I'm sure the local paper will publish all the dates and details.
For quick reference, I've created this handy excitement level ratings chart for you. It's not in chronological order, and the opinions expressed do not in any way represent WXXI, its underwriters, or contributing supporters.
Check out this picture of North Korea taken by satellite at night. It says a lot about the country’s insular, repressive regime. This morning I got the chance to interview clarinetist Robert Dilutis of the Rochester Philharmonic Orchestra. He’s traveling as a sub with the New York Philharmonic Orchestra.
Word on the street is that Rochester Philharmonic Orchestra clarinetist Robert DiLutis is in North Korea with the New York Philharmonic. He was tapped to sub for someone who couldn’t go.
On Tuesday, the orchestra will play in Pyongyang, the North Korean capital. This is the first visit by an American cultural group to that country since President Bush lumped it into the “axis of evil.” According to the State Department, President Bush is encouraging the visit.
A decade ago, when guitarist Sharon Isbin recorded the lullaby "Cancion de Cuna," by Cuban composer Leo Brower, she wrote that she was in a state of bliss, remembering her experience of "floating down the Napo River in a dugout canoe with piranhas, electric eels, and glistening crocodiles afoot."
This week, when she plays the same piece with the Rochester Philharmonic Orchestra, she'll hear it in a whole new light. Read my concert preview in this week's City newspaper here:
I discovered a blog kept by a cellist living in Houston, studying at Rice University. He's preparing to audition in Rochester for a spot with the RPO. He writes:
I was going to write a blog today that started with the line, “facebook is evil.”
But I need more time on that subject. Check back later.
Instead, here's an interesting news item about the Rochester Philharmonic Orchestra.
Less than 1 percent of the repertory that orchestras played last year was composed by a black or Latino composer. The RPO has joined a new, national consortium of orchestras to commission major orchestral works from minority composers.
It’s enigmatically named the Sphinx Commissioning Consortium.
Read more here:
On Saturday night, the Rochester Philharmonic Orchestra opened with Fantasia on an Ostinato by John Corigliano, a short piece based on a famous repetitive passage by Ludwig van Beethoven (the second movement of Symphony No. 7.)
I loved it, but others reacted differently.
A Rochester blogger who went to the concert with her husband wrote,
Johann: Grüß dich! That brass quintet, sehr gut! Don’t you think, my old friend?
Ludwig: Ja, ja, I almost heard it! I think it was almost as compelling as the players’ rousing performance of The Firebird by the Russian Wild One, Herr Stravinsky. (He pauses, leans over, whispering) But I believe the young man who spoke afterward, Herr Owens, may have a Napoleonic complex. Did you catch all his mumbling about fame and glory, making the RPO famous around the world?